Tuesday, 13 June 2017



Treasure hunter, Nick Morton, stumbles on a secret tomb that was supposed to imprison an evil princess Ahmanet. When he accidentally releases the monster he unleashes an evil that can take over the world. Nick, who is used to thinking only of himself, has to put his own interests aside and fight for his life and the lives of those around him. Will he be able to make the ultimate sacrifice to save the world?

THE MUMMY is an unapologetic summer blockbuster fairy tale that tries to borrow more from Indiana Jones movies than from Universal Studios classic monster tales. Unfortunately none of the set pieces, including the anti-gravity stunt, in a real plane nicknamed "vomit comet”, is a standout.

The movie has good pacing with a fine dosage of humour. Tom Cruise plays the comic version of his "action hero" type but comes up short on charisma at the times of need. Unfortunately, the chemistry between him and his leading lady Annabelle Wallis is non existent, but as protagonists they work well together.

Sofia Boutella as The Mummy is the real stand out here. She manages to inspire enough creepiness and tragedy to make this monster a well fleshed out character, but her motives are not always clear, and the final goal lacks logic. Would she really fight so hard to give the real power to someone else, in particular "a male"? That does not make a first ever female mummy a feminist, which is a real shame!

All in all THE MUMMY is breezy fun that does not shy away from horror when the script requires it. It's a horror film you can take your kids to and have a great time - This is the real value of the new MUMMY.

Monday, 12 June 2017



The young criminal Hyun-Soo is a youthful and ambitious prisoner who does not seem to think too much of the consequences of his actions. Jae-Ho is a career criminal and a mobster. He rules the prison with an iron hand.  An unlikely empathy between the two men grows and they decide to take on the world when leaving the prison. But both of them are  hiding dangerous secrets. When all is unveiled the truth is doomed to destroy them both...

THE MERCILESS is a gangster action drama film, a genre South Korea excels in. It is miraculous that after so many movies the gangster theme feels so fresh, and the reason for this is the carefully executed script and characters one can't help, but care for deeply. The strangely meaningful friendship, a borderline love affair between the older gangster and the young rookie has genuine chemistry. The sexual tension is only implied, but the bond the two strike is comparable to the one between lovers.

The movie is carefully structured, with short informative flashbacks, that allows one to look with new eyes at how the story has progressed, each time revealing new information and new accents that change perspective. 

THE MERCILESS is a violent film, but perhaps is less so than many other of the same genre. The best thing about it is how the script avoids cliches, constantly giving some fresh twist, until the rather familiar finale - a traditional Korean climax of heartbreak and devastation.

Boasting fantastic cinematography, likeable performances and an extremely well written script, THE MERCILESS may be the best alternative to the American blockbuster, if you want some soul and thought in your action.

Wednesday, 31 May 2017



Justine is starting at veterinary school and it's the first time she has been away from her controlling parents, who insist on her being an absolute vegetarian. It's the first week and she has already tasted a piece of raw meat. This creates a constant craving. As the attraction to her roommate grows stronger, and the competition with the older sister becomes too much to bear, how long will she be able to fight the hunger for human flesh?

RAW became infamous when at numerous premiers people walked out, vomited and fainted. This created a reputation of a "must see" film for any horror fan. In fact RAW has only a couple of disturbing moments, and even those are dependant on the circumstances of the scene - the gore is much less disturbing than the predicament the characters find themselves in. 

Horrors aside, RAW is a feministic tale about being different and learning things about oneself in the process, that may not quite please you. It is also a tale of inheritance, and of what it’s like being “a prisoner of birth”. In France, where the class system is stronger than ever, this is a very familiar issue. Once you are a part of a certain circle it is almost impossible to break free.

Plotwise, RAW has a few surprises in store. The script is more complex than it seems at first sight and the final revelation, if not entirely unexpected, is a satisfying one. All in all RAW feels like a very complete piece of moviemaking, deep enough not to be boring; entertaining, but with a clear message and a punch in the gut when you least expect it. It is designed to shock you to make you think. 

Tuesday, 30 May 2017



In the future a new healthcare procedure is introduced - the unwanted memories of an individual can be erased at a price. Feng, a successful writer, has undergone the procedure, but has to come back for his memories - the only way his wife will divorce him is if he has all the memories of her restored. Things get twisted however when, instead of his memories, Feng is exposed to the memories of a serial killer. The only way to catch him is to remember everything. But as the killer's memories bring out violent behaviour in Feng, it may be not too long before he himself is turned into a monster. 

The best thing about THE BATTLE OF MEMORIES is how fresh the screenplay feels. It is a small budget production that puts up a sophisticated and ambitious thriller with a few interesting sci fi ideas, and a compelling mystery. The story loses momentum somewhere in the middle, but recovers towards the end, nicely wrapping up most of the details that at first seemed unclear or out of place. The red herrings and diversions will confuse even the most seasoned mystery lover. During most of the film you do feel like you are one step ahead of the storytelling, but this proves to be deceptive. Even with only a few suspects you will not know the identity of the killer until the very end.

The film is shot in a dark pallet, with barely any sunshine and all the memory sequences (and there are a lot of them) are all in black in white. The dialogue is minimalistic and there's a feeling it only exists to serve the plot. The futuristic setting is so simple, it seems it is rather serving the budget than the plot, but the camera work is eye candy and redeems the failure of expensive props.

BATTLE OF MEMORIES is a nowhere close to being a competitor to Hollywood blockbusters but is quirky enough to have fun with. The plot is unusual enough to warrant a remake. In this case, with a bigger budget, better acting and brushed-up script, it may be an improvement on the  original.

Wednesday, 19 April 2017



Willie, Joe and Albert are Brooklyn seniors and down on their luck. Their pensions have been cancelled, the mortgages are in arrears and it's about time to do something about it. How about robbing a bank? Testing their skills on the local supermarket and failing miserably, our trio employs a professional criminal adviser. Will our oldies be able to rob a bank and get away with it?

The world had moved on and it’s enough to see Michael Caine (84), Morgan Freeman (79) and Alan Arkin (83) to realize that the old age is not what it used to be. These "youngsters" are more than capable of robbing a bank, but as we are in the realm of a Hollywood comedy we get a few funny gags, light thrills and a couple of sentimental moments that are enough to makes us feel a little bit better about ourselves and the world in general.

The senior stars milk their charisma and status to the fullest and there is nothing wrong with that. The first time director and a full time comedian Zach Braff knows his audience and, without overdoing it, gives us a focused, funny and a good nostalgic movie. It's easy to watch and the characters are easy to relate to.

This film will never make it to your top ten of the year, however it never disappoints. There are a few missed opportunities and the script never tries to break any new ground, but it all could be to the benefit of the final result. This is the sort of movie that's safe to show to your grandparents, but the little kids will like it too. It may not be a great example of movie making, but a fun piece of entertainment that many other comedies should look up to.

Thursday, 6 April 2017



Jean (Gerard Depardieu) and Bruno (Benoit Poelvoorde) are father and son farmers who don't quite see eye to eye. Bruno's life revolves around drinking and picking up girls (while drunk) with a very low success rate. Jean only thinks about the family business and is worried about the future of his son. Will a road trip to the vineyards fix the shattered relationship between father and son? A series of hilarious situations they find themselves in ensures the trip is never boring.

This road trip buddy comedy is in a genre of its own. Putting the leading French comedians into a limousine and sending them around provincial France is a great idea, but it misfires spectacularly. The film struggles to find its focus and is really a collection of comedic episodes that don't always gel. The audience in the theatre was laughing but there were a few moments so embarrassing that I felt like turning away from the screen. Benoit Poelvoorde carries this film alone, his comedic talent is without question. He is a versatile actor who can do serious dramatic roles as well as comedy. For SAINT AMOUR he needed a better script.

The movie is quite watchable, but the awkward and the disturbing ending completely ruined it for me. Some films are hard to finish, but the writers of SAINT AMOUR went to such extremes to give it an unusual conclusion that it left me speechless as the credits started to roll. 

SAINT AMOUR had all the elements of success - a great cast, an interesting premise and a spectacular setting. Instead it is a very uneven film with a few funny jokes and a strange finale that ultimately becomes its undoing. 

Thursday, 30 March 2017



The Major is a cyborg made of titanium, but with a human soul (her "ghost"). She works in Section 9, an anti terrorism unit, which is also her family, as she remembers nothing from her previous life. When a dangerous hacker starts killing the members of Hanka, the corporation of artificial intelligence technology, the case quickly becomes personal for the Major as one of her makers is on the hit list. But in the world where everyone holds bionic parts, and can be hacked and manipulated, who can she really trust?

Original movie GHOST IN THE SHELL is a world phenomenon that has spawned a successful franchise, but also served as a topic for some philosophical dissertation. The animation by Mamoru Oshii that was an inspiration for the new film starring Scarlett Johansson, acquired a cult following and director Rupert Sanders (Snow White and the Huntsman) had to play very safe, trying very hard to please everyone (old fans and new). Mostly it works.

The truly exciting thing about GHOST IN THE SHELL is the environment ( the same could also be said about the original animation). Digitally enhanced Hong Kong is breathtaking. The giant holograms invade the streets, the atmosphere is authentic, the rain and the moisture are so real you can feel them in the air (you can almost smell the boiling noodles on the side street). Some of the scenes are frame by frame recreated from the original. The battle in shallow waters, the diving, the tank duel - all look gorgeous. The broken glass spraying out of the screen, the water pouring out and the jellyfish flying just above your head - a 3D ticket on this occasion is really worth an extra buck. 

Scarlett Johansson gives her all to the role, she does inhabit the spirit of Motoko Kisangani even with her European looks - fans should be pleased. The origin story of Motoko is a nice touch and does not contradict the original movie in any way.

Takeshi Kitano, as the boss of Section 9 boldly speaks Japanese all through the film , and why not? Language is no barrier for the nation where everyone's brains are wired with wi fi? His performance is a real gem and shows how clever the casting was, despite all the controversy of choosing Scarlett Johansson for the main role (originally her character is Japanese) 

GHOST IN THE SHELL is an almost perfect remake of a cult animation. The only flaw of the film may be its straightforwardness, but it is not necessarily a bad thing. I have seen the original ten times or more and some questions still remain unanswered.  GHOST IN THE SHELL was made with love, putting some bold ideas in place, and it's one of these films you can watch again and again, and still find something new and exciting.

Wednesday, 29 March 2017




Max and Leon are two orphans who have been best friends since early childhood and both are nothing but trouble. When the Second World War kicks in they are both summoned to serve. Their little town gives a sigh of relief as the two troublemakers are about to be dispatched, hopefully for good. Thus begin the adventures of Max and Leon as they go to war with Hitler, the French, the English, the Arabs and themselves. Here comes trouble!

MAX & LEON is a fine example of what French comedy is about. Echoing the classical film with Louis De Funes "La Grande Vadrouille" (The Grand Promenade), MAX & LEON is a combination of famous French farce, over the top satire and even a musical (a three minute song of dancing German prisoners who tell you why the French people are the worst nation on earth). The jokes come fast and sharp, but some of them do not translate well into the English speaking world. 

The duo of MAX & LEON (French comedians Gregoir Ludig and David Marsais) lacks charisma but the guys have good timing (this is not the first film where they are together). The rest of the cast all seem to be having fun, and this is more important for comedy than polished performances. The film is quick, loud and silly, which makes it an easy watch. For every joke you might have missed two new ones are on the way. Many scenes are borderline embarrassing, but it is still better than the average American sitcom. 

With all its silliness and madness MAX & LEON has a good soul at its core. The film may be less funny for a non French speaking viewer, but if you love a good laugh and are ready for something different, MAX & LEON may just hit the right spot.